Catcher in the Rye ducks in the pond Symbolism Essay Essay

In The Catcher in the Rye J.D Salinger utilizes Holden’s repeating notices of the ducks in Central park to uncover the innocent interest and real side to Holden’s routinely obtuse and overwhelmingly skeptical character. During his first of a few taxi rides in the city, Holden, disturbed by the idea of consistent change yet fascinated by the idea of how others adapt to change starts to solicit his taxi driver the whereabouts from the ducks in Central Park when the lake freezes over. â€Å"Then I thought of something, out of nowhere. â€Å"Hey, listen,† I said. â€Å"You know those ducks in that tidal pond directly close to Central Park South? That little lake? By any possibility, do you happen to know where they go, the ducks, when it gets all solidified over? Do you happen to know, by any chance?† I understood it was just one possibility in a million. He 'pivoted and saw me like I was a maniac. â€Å"What’re ya tryna do, bud?† he said. â€Å"Kid me?†Ã¢â‚¬  Noâ€I was simply intrigued, that’s all.† (60). As exemplified by numerous images all through the book, for example, the wax gallery, Holden discovers comfort and solace in things that are consistent and don’t change. Holden’s cooperations are subverted by his hatred of â€Å"phoniness† and his conspicuous and excessively critical side, continually overpowering and sabotaging the certifiable and caring side seen just when Holden feels support and invited by his condition. His red chasing top is another image of security for Holden. â€Å"Ackley looked again at my cap . . . â€Å"Up home we wear a cap like that to shoot deer in, for Chrissake,† he said. â€Å"That’s a deer shooting hat.† â€Å"Like damnation it is.† I took it off and took a gander at it. I kind of shut one eye, similar to I was training in on it. â€Å"This is a people shooting hat,† I said. â€Å"I shoot individuals in this hat.† (22). When Holden says â€Å"I acknowledged it was just one possibility in a million.† (60), as he suggests his conversation starter about the ducks to the taxi driver, is his method of â€Å"people shooting† as exhibited by his top, a method of making the qualification between somebody who might respond to his inquiry truly, or somebody in his psyche â€Å"phony†, or guileful, blurred by the brutal real factors of development and the grown-up world. This extremely rare possibility is Holden alluding to his acknowledgment that the chances of a total outsider addressing his inquiry genuinely, are on a par with none. Besides, the ceaseless change and steady moving in Holden’s life, the two of which he completely loathes are representative of the ducks. Holden’s changing from school to class is practically patterned, similar to the relocation and the arrival of the ducks when the lake comes back to its unique state. At last, Holden ends up caught in a condition of aching for his youth, his successive utilization of liquor and cigarettes and feeling of development, every one of the a faã §ade, concealing his longing for an existence of guiltlessness and trustworthiness. â€Å" It was halfway solidified and mostly not solidified. Be that as it may, I didn’t see any ducks around.† (154). At long last, Holden’s condition is characterized by the tidal pond, not solidified, not unfrozen. He is actually that, in a progress among adolescence and adulthood, half solidified and half not, the ducks in the lake being an everlasting image for the hesitance he shows to change to adulthood, and his useless endeavors to slow the unavoidable procedure of development.